Top Ten Reads Of 2018

Top 10 Reads of 2018

Managed to squeeze in nearly 30 books for the 2018 reading season. Now, as the year comes to a close, it’s time to whittle those down to my Top 10. It wasn’t easy. I read a lot of great books, some mediocre ones, and frankly, some crap. We’re going to skip the crap and get right to the good stuff.

Threading_PalmatierNumber 10:
Threading the Needle by Joshua Palmatier –

“Second book in Joshua Palmatier’s epic fantasy trilogy, set in a sprawling city of light and magic fueled by a ley line network.”

These are thick, serious, epic Fantasy tomes, kids, with a somewhat Sci-Fi feel to them – neither of which is really my favored genre. However, Palmatier has a knack for drawing me in and making me forget that. Being such hearty books, Book 2 comes in at 487 pages, there are also a lot of characters which I sometimes had a hard time keeping track of. Josh does get a bit rambling in this series, which is why it didn’t make it higher on the list, but still a compelling series of story lines and characters to move those plots along just fine. Those who are into Fantasy will certainly enjoy this and the other two books – (I’m currently reading Book 3) – along with Palmatier’s other titles and trilogies.

WarTruth_NugentNumber 9:
The War For Truth by Jason J. Nugent –

“The situation grows dire. Queen Anastasia orders the destruction of the Forgotten and turns her attention to the colonies. They must be forced into submission. Her reign depends on it.”

The final book in Jason’s YA The Forgotten Chronicles series wraps up the storyline perfectly. Again, another author who has really helped me to appreciate the Sci-Fi genre in ways I never imagined possible. Though there’s future tech, Jason keeps it simple enough so I don’t get lost in the jargon, and focuses on the characters, their relationships, and their trials and tribulations – as any good book should. This is a YA series, so it may not be for more hardcore readers of the genre, but for me, a novice, I truly enjoyed the ride Nugent took me on with these books.

SkyWoman_JDMoyerNumber 8:
The Sky Woman by J.D. Moyer –

“Car-En, a ringstation anthropologist on her first Earth field assignment, observes a Viking-like village in the Harz mountains. As Car-En secretly observes the Happdal villagers, she begins to see them as more than research subjects (especially Esper, a handsome bowhunter).”

This will round up my 2018 foray into the Sci-Fi genre.
Another great, character driven read mingled with a touch of fantasy. I loved that there was a well-rounded, strong, female lead in this. She really carried the story through. I do have to admit that when it came to the more technological aspects of the book, I did a touch more skimming than I normally do, but I wanted to get back to what was happening on Future Earth! Very well written and the most enjoyable Sci-Fi book I read all year.

SevenMasterpiecesNumber 7:
Seven Masterpieces of Gothic Horror : Clara Reeve, Matthew Lewis, Edgar Allan Poe, Nathaniel Hawthorne, Mary Shelley, Horace Walpole, and Sheridan Le Fanu. –

As a Horror writer, I think it’s important to know from where my preferred genre arose. I’ve been a fan of Poe, Stoker, and Collins for years, but hadn’t gone to the very beginning.  Horace Walpole and Clara Reeve are considered the creators of Gothic Horror, publishing within twenty years of each other, Walpole in 1764 with The Castle of Otranto in 1764 and Reeve in 1778 with The Old English Baron (both included in this anthology). Some of the stories I was less than impressed with, while others really kept me engaged all the way through. I’d consider this essential reading for any fan of Gothic Horror.

mouthdark_waggonerNumber 6:
The Mouth of the Dark by Tim Waggoner –

“Jayce’s 20-year-old daughter, Emory, is missing, lost in a dark, dangerous realm called Shadow that exists alongside our own reality. An enigmatic woman named Nicola guides Jayce through this bizarre world, and together, they search for Emory, facing deadly dog-eaters, crazed killers, homicidal sex toys, and – worst of all – a monstrous being known as the Harvest Man.“

A desperate father’s search for his missing daughter takes him into a bizarre underworld that isn’t too far removed from our own. I loved this book. It’s dark, suspenseful and fast-paced, unique and delightfully original. This one was of those books I went to bed thinking about and woke up eager to dive back into.

Shoel_BrantNumber 5:
Sheol (West of Hell #3) by Jason Brant –

“After escaping the decimated town of Gehenna and the mighty Tartarus River, Karen finds herself trapped in a prison in the city of Sheol. Knowing that an army of the dead is marching across the desert behind her, Karen must find a way to escape the sadistic Evans, and rally the citizens of Sheol for one last stand against an enemy of biblical proportions.”

It’s the Wild West with all the usual dangers plus zombies. LOTS of zombies. I guess this was the year of trilogies for me as this is the final book in Jason’s West of Hell series. Very quick and enjoyable reads – along with a bit of humor tossed in to help lighten the flesh-eating mood. Looking forward to getting into another Brant series next year.

MailOrder_SheaNumber 4:
Mail Order Massacres by Hunter Shea –

“Sea monkeys. 3-D specs. Hypno-coins. Ant farms. Kryptonite rocks. Miniature submarines made from cardboard. All available for a buck or less from the back page of comic books. And we blew our weekly allowance on these rip-offs, only to be disappointed when they turned out to be total crap.”

These three short stories were a riot! Hunter is an ace at injecting humor into the most dreadful and horrific of scenarios. People of a certain age, who grew up reading comic books and longing for those novelty items advertised at the end, will find these especially fun. This book was my husband’s first foray into the demented world of Shea. Hunter twists those innocent days into living nightmares while laughing all the way to the often deadly end.

SecondChild_SaulNumber 3:
Second Child by John Saul –

“This lush, secluded Maine seaside resort is the summer playground of the super rich, but one hundred years ago, something disturbed their play. Horror came to this village. And though no one knows it yet, the horror has never left.”

I read quite a few John Saul books back in my teenage years and this is my second revisit to his writing this year. Though a bit disappointed in the first book, Second Child was a super compelling read. It’s really a YA book and not overly scary, but the weird behaviors of the characters and their circumstances kept my attention like few other books have done in 2018. Once I started, I just had to keep going. I had to know what was going on and how it would all end.

Sharkwater_MeyerNumber 2:
Sharkwater Beach by Tim Meyer –

“Beneath the warm waters of the Gulf of Mexico, the biggest predator on the planet hunts, craving the flesh and blood of every creature it can sink its teeth into.”

You may think you’re reading a book about killer sharks, you may be right – but you’re also very wrong. These are no ordinary ginormous, human-chomping creatures of the deep. Great, gory, sometimes humorous adventure awaits you if you decide to dive into this one. I don’t want to say too much as I don’t want to give the twist away but you’re in for a big surprise when you get to it.

creature-coverNumber 1:
Creature by Hunter Shea –

“The monsters live inside of Kate Woodson. Chronic pain and a host of autoimmune diseases have robbed her of a normal, happy life. Her husband Andrew’s surprise of their dream Maine lake cottage for the summer is the gift of a lifetime. It’s beautiful, remote, idyllic, a place to heal. But they are not alone.”

Hunter has quickly risen to become one of my favorite modern-day Horror authors. I can’t say enough good things about his work. He tackles ghosts and demons along with a myriad of crytids that want nothing more than to rip out the throats of those who dare seek them out and hunt them down. “Creature” – though written with the same enthusiasm and excellence as Shea’s other books – is different.  The story and characters brought me to tears at the end, literally. The usual Shea humor is held in check. This is serious and I was reeling when I got to the final pages while simultaneously reaching for a box of tissues. AMAZING book. I can’t recommend it and the author enough. READ IT! You’ll have zero regrets.

That wraps it up for this year. I’m already over 150 pages into another Joshua Palmatier novel and I see Jason Brant in the TBR pile for 2019 from here.

Hope you all have a wonderful Holiday season and that the new year fills your life with more good books than bad. Keep it Horror-able, folks!

The First Ladies of Gothic Literature

I had no idea that February was Women In Horror Month when I first started researching the following article back in September 2016. I was hoping to use it for a blog post in October, but life being what it is, just never found the time to wrap it up. Therefore, instead of holding off on it, I thought it was quite topical for February instead!

As a female horror writer and a long time reader of 19th century literature, mostly along the lines of Bram Stoker, Wilkie Collins, and Edgar Allen Poe, I recently decided it was time to learn more about those ladies who have come before me in the genre. The best place to start was at the beginning, or as near to the beginning as I could find out there. That search led me back to 1778.

Before Anne Rice’s vampire Louis de Pointe du Lac told us all about Lestat in that famous Interview With A Vampire; before Daphne du Maurier introduced us to the cruel and promiscuous Rebecca; and even before the creation of Frankenstein by Mary Shelley in 1816, there was Clara Reeve and Ann Radcliffe. Reeve’s novel The Old English Baron was published in 1778. Radcliffe followed suit in 1794 with The Mysteries of Udolpho.

What passed for horror then is a far cry from what we know today, but the basic elements remain the same. 18th and 19th Century horror was more of the emotional variety. It was a mental state of being linked to unfortunate and seemingly inescapable circumstances. A sense of claustrophobia was key to these novels, be that in a physical sense as in bodily imprisonment or in a mental sense with feelings of madness and mental illness. Today’s version puts the characters in some sort of insane kidnapper’s isolated torture chamber or house of madness trying to escape as one by one as they are bumped off in the bloodiest, most gruesome ways possible. Not quite so with the works of Cleeve and Radcliffe.

Classic Gothic literature is considered to have started in 1764 with the writing of The Castle of Otranto by Horace Walpole. Within it contains elements of realistic fiction and romance with overtones of the paranormal. The setting included the now almost cliché isolated castle with secret passages, trap doors, clanging chains, and pictures with eyes that shifted and watched passers-by and set a standard for many, many future Gothic novels. The term Gothic stems from the setting, specifically Gothic-style Architecture that was popular during the high and late medieval period, roughly from the 12th-16th centuries. The most common use for this type of architecture was churches and castles, though hundreds of stately homes and colleges also employed the style.

ClaraReeveClara Reeve was born in 1729 to Reverend William Reeve, M.A., rector of Freston and of Kreson in Suffolk, England and his wife, whose family were jewelers to King George I. Clara did not begin to write seriously until after the death of her father. Originally titled The Champion of Virtue, a Gothic Story, The Old English Baron was written in direct response, and perhaps even as a form of literary rivalry to Walpole’s 1764 novel. Very little is known about Clara’s personal life.

Ann_RadcliffeAnn (Ward) Radcliffe was born in London in 1764 to William and Ann (Oates) Ward. At twenty-three she married William Radcliffe who was a journalist and Oxford University graduate. As he often worked late and the couple was without children, Ann took up writing to help pass the many hours she spent alone. As with Reeve, Radcliffe left behind scant information about her private life outside her accomplishments as an author.

More times than not, the main character is a seemingly hapless and helpless woman destined for a life of misery should things continue as they are. More times than not she is also an orphan. This loss of parents or any sort of close, positive and loving family member to protect and guide her is only the beginning of her troublesome fate. Emotions are the biggest foe as well as the greatest ally to the Gothic Horror heroine. Time and time again she will be brought down, dragged through the emotional mud, her mind and spirit and sometimes her body taken to the very brink of doom and despair. She is ruled over by an iron fist in the form of an older man or woman who wants to control everything she says and does for their own personal gain. Usually, that gain is monetary and comes with an increased level of status. These guardians are actually more like cruel, heartless prison guards. This is where the monsters we’ve come to associate with horror novels and movies today were spawned.

Straberry-Hill-Walpoles1798

As powerful and omnipotent as these very human monsters appear to be, they have their weaknesses and their secrets. Finding that weakness and unravelling the secrets is the only way the damsel in distress is going to be set free. Most assuredly there is a knight in shining armor out there, because romance is what makes a Gothic Horror, Gothic and not just Horror, but she can’t rely on him to rescue her. And this where those emotions that have so far worked against her, become her greatest weapon.  She cannot hope to overpower them physically, but at some point in her upbringing, before she was orphaned and life went to hell in a handbasket, someone taught her some powerful psychological and emotional lessons. She may be poor and she may be destitute, but she’s far from stupid. She must use her wits and beat her captors at their own game. How she does that is what drives the plot forward.

Have you noticed that not once have I mentioned anything supernatural actually going on?

The earliest Gothic novels contained very little in the way of the paranormal. And even if there was a ghost, strict limits were often placed on its behavior. The ghost of Lord Lovel in The Old English Baron for instance, is a silent apparition. He is detectable only by sight, never heard or sensed in any other way and is never brought forward into daylight so we can have a really good look at him. There is no confirmed ghost at all in The Mysteries of Udolpho, but we do catch sight of what may be a corpse wearing a black veil.

For obvious reasons, these sorts of novels were tremendously popular with female readers and were very often targeted towards that audience by first appearing as serials in the leading women’s magazines of the day. Within the confines of the story they could see themselves portrayed as the ‘weaker sex’ and taken advantage of by men, and sometimes other women, of wealth and power.  And yet, despite the hardship, there was always hope that the main character would triumph because of her quick thinking. She may be physically weaker, but to see another woman win because of her smarts must have been a wonderful ego boost and given feelings of empowerment to the women reading. If the poor and pitiful Emily of The Mysteries of Udolpho can survive all that she was put through, surely, I, the reader, can overcome my troubles. Feminism was taking root even back then.

From Reeve to Radcliffe, Shelley to du Maurier, Jane Austen and the Bronte sisters up to our current female women in horror, Shirley Jackson, Anne Rice, Anne Rivers Siddons, Caitlín R. Kiernan and even myself, we have all strived to present horror in a way that not only frightens but may also empower our readers. Without consciously trying to target a female audience with my own work, I’ve noticed that the majority of my main characters are very strong-minded women. They face the most bizarre of situations and yet they keep fighting for what is right. They discover their inner strengths as they battle the real or imagined paranormal madness that surrounds them. In that way, I feel I am giving a very respectful nod of recognition to the female horror writers who have come before me and am proud of what I have been able to offer the genre in the past and what I hope to present to it in the future.

If you liked this post, you might find my The Horror of Women blog post of interest, too.