Finding Your Creative Magic

I don’t know how I came to own my first diary, but however that happened, it changed my world.

Part of my day job involves doing transcription work for the recorded lectures and various talks given at Cornell University since the late 1950s through the 1990s. There are nearly eight thousand of these recordings. In the past three years, we’ve managed to get through a couple hundred. Some I struggle with. Others are so enjoyable it doesn’t feel like work at all. They’re all educational, which is wonderful. And on a few rare occasions, I’ve been blessed with not just learning about the speaker and their work, but I’ve learned things about myself. I’ve even sat at my desk crying because suddenly something about who I am makes so much sense and I don’t feel so alone in the way I think and the things I do and believe.

This is the portion of a transcription project that got my tears flowing.

“My mom, noticing that I would not speak, gave me a diary when I was about 12 or 13 years old, one of those cheap, you know, white plastic diaries that say, “My One Year Diary,” on it. And she said to me, “Gloria, I know there are probably things in your home that trouble you. And they’re probably things at school that trouble you and since you can’t seem to talk about them, why don’t you write about them in here.” And it was from that moment that I began to connect in my mind, the un-verbal, the nonverbal chaos within me, with the ability to put down words. What I could not say, I begin to say with words, I began to say on the written page, and to this day I do not differentiate between that little cheap diary I started to keep when I was 12 years old and the last novel that I completed. All of it, to me, is a way of trying to make sense out of the senseless. It’s a way of letting my voice be heard. Because even to this day, I cannot talk about those things which indeed matter the most, which hurt the most. And I will normally write them out, you know? Woe be tied to my enemies because it’s all written down.” – Gloria Naylor

The Evolution of a Writer’s Voice; Gloria Naylor reads and reflects on her own work.

Cornell University Lecture Tape Series, recorded Nov. 21, 1988

Yes, indeed, nearly everything of significance that has happened in my life since that first diary began in January 1977 when I was 11 years old is written down. Being able to write when I was unable to talk has, without a doubt in my mind, literally saved my life more times than I can say. Some people swear by therapy, talking to someone, but that has never worked for me. When your throat literally tightens at the very idea of speaking about those things that matter most to you, writing has gotten those things out. It’s unclogged, unwound, relaxed, soothed, comforted, and released those pent-up thoughts. I would rather write a ten-page letter that may take over an hour to create, than speak for ten minutes about certain subjects. I am not a talker. I am a writer.

That isn’t to say I can’t speak. Those who know me know very well otherwise, but it takes a long time for me to be comfortable enough to share who I am deep inside and some things I never share other than in my diary. I still keep one to this day. Small talk annoys me. I’d rather listen. I’d rather learn before I speak. I’d rather get to know someone else before revealing myself. But never, ever have I revealed everything to anyone. But, that’s okay. It comes out in bits and pieces in my art be that writing stories or poetry, drawing, painting, or even in the songs I love to listen to.

Introvert? Definitely. ADHD? Quite possibly. Family genetics? Ever more likely. Whatever the reason, which frankly I don’t feel really matters, I am grateful for it as it’s made me the writer I am today.

As mentioned in my January Blog, Dracula, The Wild West, & Me several of my ancestors on my mother’s side are known for their love of writing and storytelling. My great-great-great grandmother, Eudora Boughton Legg and her daughter Velma Legg Meddaugh both kept diaries that still exist to this day. My great uncle, Frank Legg Meddaugh was the author of at least one short story that I know of. Joe Bing was written in 1959 for his fourteen grandchildren. It would later be published by his daughter, Catherine M. Deming and illustrated by Mary M. Pond, one of his granddaughters, in 1976. Catherine was an author and researcher extraordinaire in her own right as she who would compile the family history book Grandma’s & Grandpa’s of Yesteryear, an ancestry of the Meddaugh-Deming Family in 1982, long before Ancestry dot com came along!

All that being said, My Journey West, The 1871 travel diary of Eudora Boughton Legg is now available to the public over on Amazon for all of $5 + shipping! It’s no family genealogy tome, but it does add a small chapter to the story of who I am, and where part of my writing voice came from.

I finished reading Big Magic, Creative Living Beyond Fear by Elizabeth Gilbert recently. Incredible book. I first heard of it while watching Ear Biscuits, a podcast put out by Rhett & Link of Good Mythical Morning fame. It was Rhett’s Rec of the week and as it sounded interesting so I added it to my Amazon Wish List and happily received it in December as a gift. It’s all about being creative without holding up any expectations of what you are going to do or be with that creativity other than it making you a more joyful, fulfilled person! It’s a lesson I’ve slowly been learning when it comes to my writing. Monthly royalties have paid a few bills here and there, or given us a nice dinner out, usually they’ll only cover a cup of fancy coffee! Big Magic assures me that what I’ve slowly been learning on my own with this Creative Writing Gig, is okay. As long as I’m having fun and enjoying the stories and the challenges that come with writing novels, that’s a perfectly good, wonderful, and joyous way to live my life.

I want to share this brief quote from Big Magic.

“Your own reasons to create are reason enough. Merely by pursuing what you love, you may inadvertently end up helping us plenty. (“There is no love which does not become help,” taught the theologian Paul Tillich). Do whatever brings you to life, then. Follow your own fascinations, obsessions, and compulsions. Trust them. Create whatever causes a revolution in your heart.”

Big Magic, Creative Living Beyond Fear by Elizabeth Gilbert : Riverhead Books; Reprint edition (September 27, 2016)

That isn’t to say I still don’t hope to hit it big one day, but it’s okay if I don’t, too. If nothing else, maybe somewhere down the family line I’ll be known as the great-great grandmother or great aunt who kept a string of diaries covering 70+ years and wrote Horror novels for fun. – And that, my friends, is a very awesome legacy indeed.

Finding freedom in your creativity doesn’t seem like it would be that difficult, but it can be. The secret is to drop ALL pretenses of fame and fortune, the notion that your painting, your song, your book, your sculpture, your movie, your creation is going to change the world and make you a millionaire. You need to create for YOU and YOU ALONE. Pour your heart and soul into that creation without regard to what anyone else thinks. Fill it with all your secrets, loves, hates, desires, fears, tears, and longings. Make it a physical manifestation of whatever you are going through at the time.

Years ago, when I first got interested in magic and all things witchy, one of the first lessons I learned was that the more emotion you can put into a spell, the better. That’s what charges and sends out the manifestation you are conjuring for the Powers That Be to then act upon. That’s where the Big Magic is. That’s the kind of power and passion you should be putting into your creations, your art – not worrying about what others will think or how much money you’ll make from it. The best part of all this is you never HAVE to tell a single person a darn thing about what inspired you. It can be your secret diary forever and ever and it’s none of anyone’s business.

What I’ve Been Reading:

To The Devil, A Cryptid by Hunter Shea

From Twisted Roots by S.H. Cooper

The Horrors That Grew Me – Witchcraft

It’s no secret. I’m fascinated by witchy things and things associated with witchcraft. This does not mean I am one. I have a huge interest in vampires, too. Their lore and mythology, the novels, the movies, the whole nine yards, (Except for Twilight. I hate Twilight. Sorry. Deal with it.) all enthrall me. This does not mean I am one or believe I am one.

As with so many other horrors that grew me, I wasn’t entirely clear on when this interest first blossomed until recently. It has simply always been. But, the more I’ve thought about it for the writing of this post, the more I’ve come to understand about its origins. There’s a bit of interest in Spiritualism that I can easily trace to a particular relative on one side of the family who would later not only purchase my first Ouija board for me as a birthday gift (my 13th birthday, btw) but would also teach me how to use it – much to the rolling of her husband’s eyes. Another close relation on the other side of the family was really into the meaning of dreams and astrology.

As I was exposed to dream interpretation from my earliest days, let’s start with Ballantyne and Coeli’s Your Dreams And Your Horoscope : 25,000 Interpretations of the Messages Received in Sleep and the Predictions of the Stars, Planets, and other Heavenly Bodies, a copy of which was given to my great grandfather for Christmas in 1943. This same book now holds an honored place in my private research library. From Abacus to Zoo, we are presented with dream interpretations of all kinds in the first 564 pages of this yellow-paged tome. This is followed by finding numbers associated with dreams based on numerology. On page 574 we start our lessons in astrology, which continue for another 300+ pages. Hm. It all seems rather witchy to me.

 

Zolar

The Mysterious, Zolar?

This book would lead me to buy a dream book of my own, Zolar’s Encyclopedia and Dictionary of Dreams along with his Compendium of Occult Theories and Practices. This Zolar fellow has thirty books listed on Goodreads, but there’s an overwhelming lack of any actual information on who Zolar really was (or is). Other than a picture I found of a bearded man wearing a tweed suit with matching hat and smoking a Sherlock Holmes-style pipe, I haven’t found a thing. I strongly suspect that he’s the Simon and Schuster equivalent of General Mills’ Betty Crocker.

 

Once the research fuse on this particular study was ignited, things really got interesting. I quickly found myself diving into the non-fiction book Witchcraft At Salem by Chadwick Hansen and The Complete Book Of Magic and Witchcraft by Kathryn Paulsen. Much like the vampire library, the library of books on witches and witchcraft grew.

For my high school senior paper I wrote about the causes of the Salem witch trials and as part of my research was granted access to Cornell University’s massive Witchcraft Collection at the age of seventeen. I was taken to a small study room that contained nothing but four large tables with two chairs each, and several surveillance cameras. I was permitted to take in a pencil and a notebook. That’s it. Having looked at the card catalogue prior to my admission, I had a list of documents and books I was interested in seeing. These were brought to me and for the next few hours I gathered as much information as I could that pertained to my topic. I was in Heaven – and some would say probably working my soul’s way to Hell. Little did I know at the time, but I was also gazing at documents that pertained to my own family lineage.

For a good twenty-five to thirty years or so, I was very involved in all manner of occult dabbling. I taught myself to read the Tarot and other methods of scrying. The use of the Ouija board was common practice. I gathered stones and crystals. I burnt cedar and sage. I met and hung out with a lot of pagans whose practices ranged from Druid to Wicca and participated in numerous drum circles. It was fun and I learned a lot spiritually about myself.  It’s been a solid ten years since I’ve done any of that and a good five since I’ve spoken to anyone from those days.  My interest is still there, but it’s really just an interest now, not a practice. As I said, it was educational and it helped me find a pretty content zone when it comes to all this spiritual, in the religious sense of the word.

A few years prior to my maternal grandmother’s passing, she gave me a book she highly prized. It was THE family genealogy book, researched and written by her cousin. When she gave it to me she said, “You’re the only one who really seems to care about this so I wanted to make sure you got this.”  It would not be until 2009 that I would find a passage in this book that thrilled me beyond words, despite the sad injustice of it all.

In the Preston line of family is this entry:  Thomas Preston, born abt 1642, per his deposition 30 Jan 1690, stating he was then 48 years old. He m’d in Salem Village, Mass in 15 April 1669, Rebecca Nurse, d/o Frances & Rebecca (Towne) Nurse.  Rebecca (Towne) Nurse was born 16 Feb 1621 & was executed as a witch 19 July 1692.

Thomas Preston’s brother Roger was my 7x great grandfather, making Rebecca (Towne) Nurse my 8x great aunt. It’s a thin, frail line of descent, I grant you, but I’ll take it. Of course, the 71-year-old Rebecca Nurse accused and hung as a witch was no such thing. In a similar vein, my Godfather is descended from Judge William Stoughton – also of Salem fame – and his wife, my Godmother, is also descended from an accused Salem innocent.

Last but not least, all this love of genealogy research led me to work on a lineage for a friend – just for fun. Through that I discovered the Connecticut Witch Trials that ran from 1647 to 1697, before, during, and after Salem. No fewer than thirty-four men and women were formally charged with witchcraft. Eleven were hanged. And from these people grew my idea of the Barnesville witches that you’ll find in my Barnesville Chronicle series.

RTNurse_woodcuthomestead

So, there you have it – my love and fascination with witches, the good ones, the bad ones, the factual ones, the fictitious one, and the ones that weren’t really witches at all, but innocent victims of their culture and circumstance. The apex of this horror that grew me will be the day I walk into the homestead of Rebecca Towne Nurse that still stands today in Danvers, Massachusetts (the original Salem Village) as a museum and feel some strange, magical, and witchy sense of coming home.

A Legend In The Making

It’s probably pretty likely that wherever you live in this world, there’s some sort of local urban legend or haunted location nearby that has some sort of spooky reputation and a diabolical name. For me and mine, that’s The Devil’s Elbow. It’s a stretch of road reputed to be haunted by the classic ‘hitchhiking ghost’. Here’s a short little video about our particular version. Haunted History – The Devil’s Elbow

I’ve always loved Old Wive’s Tales, Urban Legends, and Folklore and thought I’d look more into what was out there as research into writing something of my own. While clicking my way through the Internet, this came little ditty came to me. “If at night, ye dare to roam, along the twisted, witch’s backbone, avert thy gaze, meet not her eye or cursed thy life and soon t’die.”

While researching my second murder-mystery that involves The Shadow Man, I chanced upon a reference to another being known as The Night Hag, or simply The Hag. She shows up while you’re sleeping and, as the legend would have it, suffocates her victim by sitting on their chest and sucking out their last, dying breath. Nice, huh? With the Hag in my head, and now the aforementioned poem in there with her, the concept began to gel. Her story would be a perfect addition to The Barnesville Chronicles.

We’re told that there’s some grain of truth in all these old stories, so what if one day some innocent kid, just minding her own business, suddenly finds herself looking straight into the eyes of this old woman? Just how much truth is there in that legend … and if she’s real, what about the curse associated with seeing her? Yes, she’s real. Her name is Rebekkah Hodak. As for the curse, I’ll just leave you with this …

“Avoid the dangerous paths she treads. Stay safe and sound within thy beds. For ’tis always best to neither walk nor ride, along the witch’s backbone at night.”

Consider yourself warned.

The Witch’s Backbone is now available for your KINDLE device. Paperback coming soon!

 

 

 

Once Upon A Time There Was A Witch Named Tannev.

Witches & witchcraft

She wasn’t born a witch, few are, but for some twenty-five years she proudly considered herself one.  Others thought of her as one, too.

Tannev was quite happy with her chosen Pagan path and had many friends of like mind she met with, celebrated with and even cried with. It was a happy, peaceful life for the most part and not one Tannev left behind entirely of her own free will.  It was more a fading away as one might witness a person walking into a misty, gray fog.  There would be only two that the Witch would remain close to, two delicate links in a fragile chain.  Though she wanted to go back, time and circumstances kept her from those Tannev had for so long thought of as her lost family and home for ten years.  It had taken her a long time to find them but losing them had proven far too easy, slipping her away.  One year, the two diminished to one, filling Tannev with much sadness. It always made her a little nostalgic and melancholy to think of those bygone days even though she knew she could never really walk down that spiritual path with the belief she’d once had.

Tannev forged ahead, the Hermit, wandering alone again. It was, she figured, the way it was meant to be for her.

One dreary, moonless night, Tannev met a man who was one of true Darkness and one might say, Evil.  He called himself T’so.  Tannev grew to admire and even to love T’so despite his wicked and deceptive ways but even he could not convert her as he would have liked. She’d walked that Path once, too and knew the dangers and he could not turn her towards it again.  Tannev valued goodness, honesty and love about all other things.  T’so was none of those things. She would not bow to his wishes and he soon tossed her aside. Ironically, in his efforts to sway her, T’so pointed Tannev to a series of manuscripts that would brighten her Path instead of darkening it.

Within these ancient manuscripts Tannev learned of a God above God and, more important than that, of the Divinity Within.  Tannev’s eyes opened.  This Gnosis, this Knowing, became her new Path and she was a Witch no more.

Though Tannev may appear to still be walking alone even to this day, she knows otherwise.  She’s never alone for her Heart is always with her and within that Heart dwells that Spark of Spirit that is her personal Divinity.

GTh. 77:2-3

“Split a piece of wood – I am there.  Lift the stone, and you will find me there.”